Mark Barton

Mark Barton has Broadway credits that include The Real Thing, Violet, and The Realistic Joneses. Off Broadway, he has designed Fondly Colette Richland, Arguendo, The Select, The Sound & The Fury, and Gatz (Elevator Repair Service); Signature Plays, John, and Paradise Park (Signature Theatre); Circle Mirror Transformation, Detroit, The Watson Intelligence, and The Big Meal (Playwrights Horizons); Look Back in Anger and Bad Jews (Roundabout Theatre Company); February House and Titus Andronicus (The Public Theater/NYSF); Notes from Underground and Chair (Theatre for a New Audience); The Shipment and Church (Young Jean Lee), among many others. His regional credits include productions at Guthrie Theater, American Repertory Theater, Actors Theatre of Louisville, La Jolla Playhouse, Yale Repertory Theatre, Perseverance Theatre, Long Wharf Theatre, and Berkeley Repertory Theatre, as well as many productions with Curtis Opera Theater in Philadelphia. Other New York City credits include Glory of the World (BAM), Cunning Little Vixen (Juilliard Opera), and Encores! Off-Center 2013–2015. He is the recipient of a 2012 Obie Award for Sustained Excellence. markbartonlightingdesign.com.