Tiger Style!

by Mike Lew

Directed by Moritz Von Stuelpnagel

The Huntington’s hit 2016 production of Mike Lew’s Tiger Style! has been newly recorded as an audio play, along with a companion podcast series "Exploring Tiger Style!" full of insightful conversations with artists, community members, and more! Squabbling siblings Albert and Jennifer Chen reached the pinnacle of academic achievement. But as adults, they’re epic failures: he’s just been passed up for promotion and she’s been dumped by her loser boyfriend. So, naturally, they confront their parents and launch an Asian Freedom Tour! From California to China, this hilarious comedy examines race, parenting, and success with wit and sharp humor.

The Boston Project: Project Resilience

Written by Boston Playwrights

Presented by Speakeasy Stage Company

6/4/21 - 6/10/21

We Bostonians have always been known for our strong and stalwart nature, but this past year has presented challenges that have tested even the toughest among us. To celebrate the distinct and enduring spirit of this great city, SpeakEasy is commissioning five Boston playwrights to each write a brand-new, site-specific, ten-minute play that celebrates the resilience that sees us through each day.

The Sound Inside

by Adam Rapp

Directed by Bryn Boice

Presented by SpeakEasy Stage Company

South End / Calderwood Pavilion at the BCA

9/24/21 - 10/16/21

A creative writing professor begins a surprising relationship with an enigmatic student in this riveting new drama about the power of fiction, both the kind we read and the kind we live.

Jacqueline Novak: Get on Your Knees

Written by Jacqueline Novak

Directed by John Early

Presented by ATG Colonial

South End / Calderwood Pavilion at the BCA

9/7/21 - 9/19/21

NYT Critics Pick! The most high-brow show about blow jobs you’ll ever see.

Covid-19 Update

Due to the coronavirus pandemic, BostonTheatreScene has suspended all public performances and events at both the Huntington Avenue Theatre and Calderwood Pavilion at the BCA until further notice.

The Niceties

by Eleanor Burgess

Directed by Kimberly Senior

Presented by Manhattan Theatre Club in association with The Huntington

5/27/21 - 6/13/21

Streaming for FREE May 27 - June 13. In The Niceties, an ambitious young Black college student and her esteemed White professor meet over Skype to discuss a paper the college junior is writing about the American Revolution. Unfortunately, they find it hard to agree about the facts of the past – or the present.

Dream Boston

Welcome to “Dream Boston,” a future vision of our city that is somewhere between dream and reality. Through short audio plays, Dream Boston asks local playwrights to imagine their favorite locations, landmarks, and friends in a future Boston, when we can once again meet and thrive in our city. These micro-plays take place at locations such as the MIT Great Dome on the 4th of July while the sounds of the “1812 Overture” float in the background, at the Boston Public Library during a minor dust-up between two bookworms, and a not-so-perfect first date on the edge of the Boston Common.

Black Beans Project

Written and performed by Melinda Lopez & Joel Perez

Directed by Jaime Castañeda

Presented by The Huntington

5/1/21 - 6/20/21

In a new work by Huntington artist-in-residence Melinda Lopez and award-winning performer Joel Perez, Mariana and Henry meet virtually to share a secret family recipe that forces them to reveal secrets of their own. The siblings transform pandemic panic to renewal in this tender comedy about family, food, and finding the strength to move on. Directed by Jaime Castañeda, Black Beans Project invites audiences to open a bottle of wine, chop some garlic, and savor the possibility of connecting with family after a long time apart.

Hurricane Diane

Written by Madeleine George

Directed by Jenny Koons

Presented by The Huntington

South End / Calderwood Pavilion at the BCA

8/27/21 - 9/26/21

Batten down the hatches! A high-intensity force of nature is blowing into town: Hurricane Diane, the roof-raising new comedy by Pulitzer Prize finalist Madeleine George.